This is the standalone plugin from the Magic Bullet Looks Suite. Magic Bullet Looks 4 Red Giant Magic Bullet Looks 4Īt number three we have Red Giant Magic Bullet Looks.

Meaning you get access to every plugin and product in their catalogue for $50 a month! 3.

Red Giant now offer an annual subscription to all of their products called Red Giant Complete and is available for $599. The suite contains even more of the best plugins we are going to look at below and is an incredible investment for any videographer as part of their post-production toolkit. The plugin is available as a stand alone plugin for $199 or you can actually purchase it as part of the brilliant Magic Bullet Looks Suite for $899.

It can do a fantastic job and if you push it even further you’ll find some results that may surprise you but be careful with this plug-in because it does take a long time to render when you have this effect on your footage. The plugin uses a pretty intensive algorithm to analyze your footage and remove noise from the image a replace with pixels it believes would have otherwise been there. This may be another plugin that you’ve heard us talk about before and that is for good reason because it’s so good at removing noise straight out of the box. Denoiser III Red Giant Denoiser IIIĪt number four we have Red Giant’s Denoiser III. I highly suggest that you use it to give the app a go because you won’t look back. PluralEyes is available for $299 but it is also worth noting that as with most Red Giant plug-ins there is a 14-day free trial you can use. The program comes as a stand alone application you can open up and add your files for synchronization to or you can even use the extension inside of Premiere Pro so that you don’t have to go through the UI of the plug-in. With PluralEyes you can literally just throw your footage at it and it will create a timeline for you, syncing up separately recorded audio and video files using the embedded audio waveform from your files. Which if you are conducting a multi-person, multi-cam shoot or any sort of shoot that doesn’t involve a shotgun mic connected to your camera then you will be used to the pain of syncing up your media afterwards. Who is this for? This is for anyone that uses an external recording device separate to their main camera body and therefore has to sync up their audio to their footage in post after the shoot.

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